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“Yes, I am,” said Mad-Eye, who seemed rather pleased that Uncle
|
Vernon had grasped this fact so quickly.
|
“And do I look like the kind of man who can be intimidated?”
|
barked Uncle Vernon.
|
“Well . . .” said Moody, pushing back his bowler hat to reveal his
|
CHAPTER THIRTY-EIGHT
|
870
|
sinisterly revolving magical eye. Uncle Vernon leapt backward in hor-
|
ror and collided painfully with a luggage trolley. “Yes, I’d have to say
|
you do, Dursley.”
|
He turned from Uncle Vernon to Harry. “So, Potter . . . give us a
|
shout if you need us. If we don’t hear from you for three days in a row,
|
we’ll send someone along. . . .”
|
Aunt Petunia whimpered piteously. It could not have been plainer
|
that she was thinking of what the neighbors would say if they caught
|
sight of these people marching up the garden path.
|
“ ’Bye, then, Potter,” said Moody, grasping Harry’s shoulder for a
|
moment with a gnarled hand.
|
“Take care, Harry,” said Lupin quietly. “Keep in touch.”
|
“Harry, we’ll have you away from there as soon as we can,” Mrs.
|
Weasley whispered, hugging him again.
|
“We’ll see you soon, mate,” said Ron anxiously, shaking Harry’s
|
hand.
|
“Really soon, Harry,” said Hermione earnestly. “We promise.”
|
Harry nodded. He somehow could not find words to tell them
|
what it meant to him, to see them all ranged there, on his side. Instead
|
he smiled, raised a hand in farewell, turned around, and led the way
|
out of the station toward the sunlit street, with Uncle Vernon, Aunt
|
Petunia, and Dudley hurrying along in his wake.
|
This
|
book was art
|
directed by David Saylor.
|
The art for both the jacket and the
|
interior was created using pastels on toned
|
printmaking paper. The text was set in 11.5-point Adobe
|
Garamond, a typeface based on the sixteenth-century type designs of
|
Claude Garamond, redrawn by Robert Slimbach in 1989. The book was typeset
|
by Brad Walrod and was printed and bound at Berryville Graphics in
|
Berryville, Virginia. No old-growth forests were used to
|
create the paper for this book. The Managing
|
Editor was Manuela Soares and the
|
Manufacturing Director
|
was Angela
|
Biola.
|
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